تسلط المقابلة الضوء على حضور هوما قريشي في مهرجان كان وتوجهها نحو إنتاج أعمال أكثر جرأة وتمثيلاً، من بينها فيلم «Toxic» عن قاتل يستخدم لغة الإشارة. كما تؤكد رفضها للأدوار النمطية التي تختزل النساء ذوات البشرة السمراء في الفقر والمعاناة.
القصة مهمة لأنها تعكس تحوّل فنانات من جنوب آسيا نحو امتلاك السردية الإنتاجية وتحدي الصور النمطية في السينما العالمية.
Huma Qureshi
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Viva la Cinerama Dome! Sony is officially reviving one of Hollywood’s most beloved and iconic movie theaters, which has been shuttered since 2020. Sony Pictures Entertainment, which began investing in exhibition with the purchase of Alamo Drafthouse Cinemas in 2024, announced plans to reopen and restore the Cinerama Dome. The historic theater went dark during […]
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There’s no shortage of places to watch an AI-generated production, from TikTok to YouTube. But now “Gods Don’t Give Gifts,” a collection of four anthology shorts, is set to screen in theaters for a limited release on Oct. 30 as the latest project from Gossip Goblin, the moniker of the buzzy AI-focused YouTuber Zack London. The film, […]
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Casey Affleck has directed his third feature and first since 2019’s “Light of My Life.” “Company,” which wrapped earlier this year in Whistler, Canada, is a gothic mystery starring Nick Nolte (“Cape Fear,” “Die My Love”), Adelaide Clemens (“The Great Gatsby”), Ben Mendelsohn (“The Dark Knight Rises,” “The King”), Scoot McNairy (“A Complete Unknown,” “Speak […]
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In a sea of perfunctory prequels and sequels, you have to hand it to a spinoff that actually comes up with a creative angle. Such is the case with “Stuart Fails to Save the Universe,” the third offshoot of “The Big Bang Theory,” which forms a useful contrast with its predecessors. The straightforwardly titled “Young […]
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