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Helsinki’s Love & Anarchy Festival Unveils Full Lineup: ‘We Are Proud to Be a Festival That Is Not Afraid to Take a Stand’ (EXCLUSIVE)

“Together in Love and Anarchy.” This year’s motto for the 39th Helsinki International Film Festival – Love & Anarchy stated by Outi Rehn, program director, and Pauliina Ståhlberg, executive director, says it all. Speaking with Variety ahead of the full program’s disclosure Sept. 1, the festival’s co-honchos were happy to reiterate its key values. “Love […]

Helsinki’s Love & Anarchy Festival Unveils Full Lineup: ‘We Are Proud to Be a Festival That Is Not Afraid to Take a Stand’ (EXCLUSIVE)

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John Wilson on ‘The History of Concrete’ and What’s Wrong With the Documentary Space: ‘People Are Retelling Stories That Have Already Happened’ الترفيه

John Wilson on ‘The History of Concrete’ and What’s Wrong With the Documentary Space: ‘People Are Retelling Stories That Have Already Happened’

SPOILER ALERT: This story contains minor spoilers for “The History of Concrete,” now in theaters. John Wilson’s new documentary “The History of Concrete” is, of course, about the history of concrete. But it’s also about selling a documentary titled “The History of Concrete,” which, it turns out, is almost as hard as concrete. It sees […]

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‘Resident Evil’ Star Austin Abrams on His ‘Tragic’ Transformation, ‘Not Trying to Look Cool’ While Screaming and the One He Scene Wasn’t Allowed to Shoot الترفيه

‘Resident Evil’ Star Austin Abrams on His ‘Tragic’ Transformation, ‘Not Trying to Look Cool’ While Screaming and the One He Scene Wasn’t Allowed to Shoot

SPOILER ALERT: This article contains major spoilers for “Resident Evil,” now playing in theaters. There’s not a moment in “Resident Evil” where star Austin Abrams isn’t making you laugh, scream or feel bad for the zombie-infested nightmare his character Bryan finds himself in. For almost the entire 95-minute runtime, he’s either running, shooting or getting […]

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‘Vintage Violence’ Review: Cole Sprouse Heads Up a Hyper-Online Gonzo Freakout in Japan الترفيه

‘Vintage Violence’ Review: Cole Sprouse Heads Up a Hyper-Online Gonzo Freakout in Japan

Eugene Kotlyarenko has built a career on drawing upon his widely-viewed cinephilic base of knowledge to consider more contemporary forms of hyper-online, of-the-moment provocation, and “Vintage Violence” is no exception. As with Kotlyarenko’s arguably best-known film, 2020’s “Spree,” live-streaming is key: “Vintage Violence” introduces obnoxious social media celebrity Carter (Cole Sprouse) mid-stream before quickly spinning […]

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